Pallbearer – Tickets – The Riot Room – Kansas City, MO – May 25th, 2017

Pallbearer

Up to Eleven & Mammoth Present

Pallbearer

Inter Arma, Gatecreeper

Thu, May 25, 2017

Doors: 7:00 pm / Show: 8:00 pm

The Riot Room

Kansas City, MO

$15.00 - $17.00

This event is 21 and over

Pallbearer
Pallbearer
It is 2014, and on August 19th, two years on from the release of their seminal debut LP Sorrow and Extinction, Pallbearer will unleash the most powerful and engaging chapter in their story thus far; Foundations of Burden – an auditory exploration that is sure to command even more acclaim for these Arkansas natives. Each song carries a weight of melancholic devastation that sees Pallbearer forging it’s own brilliantly desolate path through the realm of heavy metal, crafting music that seeks to balance itself at the very threshold of an unforgiving void. Produced and mixed by Billy Anderson (Sleep, etc) in Portland, OR in the late winter of this year, the album evokes a sonic consciousness of melody coiled tightly around the surge of doom metal at its most relentlessly formidable

Initially formed in 2008, by Joseph D. Rowland (bass) and Brett Campbell (vocals/guitars), Pallbearer grew from the fertile underground metal scene of Little Rock, Arkansas. A year later, joined by guitarist Devin Holt and (since departed) drummer Zach Stine, the four members quickly recorded the band’s first demo. These three tracks garnered well-deserved attention, with critics and fans taking notice of what could only be described as a wholly singular sound from the promising band.

Pallbearer’s debut full-length Sorrow and Extinction was released in early 2012. At just under fifty minutes, the album’s five tracks capitalized on the primal clout of the band’s demo, but here the songs were freed from reliance on volume as the music wavered beautifully between subdued introspection and towering aural force. Released by the well-respected Canadian underground label, Profound Lore, Sorrow and Extinction instantly made waves among listeners and critics who found Pallbearer’s compositional paradox of vulnerability and might unparalleled in a metal world replete with imitators.

Hailed by Rolling Stone as the #1 metal album of 2012, the album also received the coveted “Best New Music” stamp of approval from Pitchfork as well as being cited as one of the year’s best albums by outlets such as Spin and NPR. Sorrow and Extinction proved to be an unequivocal masterpiece in any genre of music and, most importantly, compelled Pallbearer to reach even further creatively for what would come next. 2012 would also see the addition of drummer Mark Lierly, adding further depth to the already immense and mercurial sound the band had pioneered.

Rather than settle themselves in the convenient safety of listener expectation, Pallbearer delve even deeper into melodic contexts for Foundations of Burden, with Rowland now adding his own impressive vocalizations to the sonic texture. This new vocal dynamic brings an authentically visceral component to Pallbearer’s music that, while giving credence to their metal foundations, adds a new and compelling dimension to music which has long since proved itself to be inexorably captivating.
Inter Arma
Inter Arma
INTER ARMA's music resists generalization and categorization, but if there's one thing that's
consistently true, it's that the VA quintet possesses an unparalleled sense of scope. Few artists today accurately convey the complexity that INTER ARMA (Latin for "in times of war") does – the band creates terrible and often hauntingly beautiful portraits of humanity through music that is deeply organic yet
still mystical and modern. INTER ARMA are just as committed to the live circuit as they are to their records: the band has performed extensively throughout Europe and the US, sharing the stage with the likes of Kylesa, Baroness, Cough, Royal Thunder, Black Tusk, Ulcerate, Russian Circles, Windhand, and dozens of others. INTER ARMA's raw, uninhibited approach merges doom metal, psychedelic sludge, black metal, prog and more, and over the course of the last ten years, has established the band as a uniquely
innovative force in contemporary extreme metal.
Founded in Richmond in 2006, the versatile and genre-defying five-piece released their debut full-
length Sundown via Forcefield Records in 2010, and like all great artists, had a well-defined sound right from the start. Sundown found INTER ARMA widespread critical acclaim, and, combined with the
band's relentless touring schedule and DIY grit, quickly helped INTER ARMA make a name for themselves in the underground. Following Sundown, the band released the 12′′ EP Destroyer via Toxic Assets Records. That record was strong enough to catch the attention of Relapse Records, who signed INTER ARMA later in 2012, and in 2013, the band unleashed the monolithic Sky Burial, a doomy, hour-long excursion through unpredictable textures and timbres. Just two years later, the band followed Sky Burial with The Cavern, a 45+ minute, single-song EP. Originally written during the summer of 2009, then slowly reworked and perfected, The Cavern was recorded in 2013 during breaks from the band's non-stop tours. Both The Cavern and Sky Burial were widely hailed as some of the best records of their respective years and garnered INTER ARMA accolades from the likes of Pitchfork, NPR, Rolling Stone, and many
other publications worldwide.
Two years after The Cavern, INTER ARMA are poised to return with their heaviest and most multifaceted work to date. Paradise Gallows is more than an hour of lush, colorful melodies and textures blended with the heaviness of the earth's impending death. Like the band's previous works, the new album Paradise Gallows is direct and foreboding while maintaining a nuanced, artful perspective. INTER ARMA's signature palette of dissonant high-end and abyssal low-end has been augmented with swathes of thick, impressionistic melody that lend Paradise Gallows a truly biblical sense of scale, both lyrically and in terms of the album's sonic content. Harsh and acoustic passages (including the band's first-ever foray into clean vocals) spar with complex rhythmic structures across nine sweeping tracks of expansive, progressive heaviness. The album was again recorded with Mikey Allred (Yautja, Hivelords) at Dark Art Audio in Nashville, and features gorgeous cover art by Orion Landau. Dense, funereal, and richly evocative, Paradise Gallows is a rich blend of doom, post-metal, sludge, and black and death metal, and is a singular and powerful new addition to the band's already monumental discography.
Gatecreeper
Gatecreeper
Death Metal from Phoenix/Tucson, Arizona
Venue Information:
The Riot Room
4048 Broadway
Kansas City, MO, 64111
http://www.theriotroom.com/
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One Response to Pallbearer – Tickets – The Riot Room – Kansas City, MO – May 25th, 2017

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